Publications

BOOKS:

Unwanted Invention / Vargtimmen. Baltimore, MD: Furniture Press Books, 2015.

Homage to Homage to Homage to Creeley. Baltimore, MD: Furniture Press Books, 2011.

CHAPBOOKS:

from Rough Spring Sonnets (with Susana Gardner). Like Starlings, 2014.

Imaginary Portraits. Salem, MA: Greying Ghots Press, 2013.

SDVIG (with Natasha Kessler). Seattle, WA: alice blue books, 2012.

How We Remake the World: A Concise History of Everything (with Trey Moody). Raymond, NH: Slope Editions, 2012.

Excavations. Iowa City, IA: Further Adventures Press, 2011.

I, NE: Iterations of the Junco (with John Chavez, Megan Gannon, & Rachel May). Tuscaloosa, AL: Small Fires Press, 2009.

A Series of Ad Hoc Permutations, or RUBY Love Songs. Scantily Clad Press, 2009.

COLLAGES:

Four Collages in "Our Difficult Telling." The Volta (2016).

"Insect Poetics" & "Insect Psyche." The Volta (2015).

"Astral Africa" & "Leaping the Coast." The Normal School, 15 (2015).

"Anon" & "Touch." Forthcoming in The Normal School, (2015).

"Nashville 1968," "Historical Paraphrase," "Cleveland 2014," & "Nocturnal Flowers." Word for/ Word, 24 (2014).

"Void." Anti-, 127 (2014).

"8 Versions of McCaffery's 4 Versions of Pound's In a Station at the Metro (Version 2)." Anti-, 86 (2012).

"The Most Important Things" & "In Most Marriages." Catch Up, 1 (2011).

"Rescue Kid Tails" & "Man's Place in Nature." RealPoetik, (2010).

"Inside Lightning Safety," horse less review, 8 (2010).

"I am not a woman." Anti-, 46 (2010).

INTERVIEWS & REVIEWS:

"In Conversation with Joshua Ware." Ghost Ocean, 17 (2015).

"Pizza, Poetry, and Twin Peaks: A Brief Interview with Joshua Ware." We Who Are About to Die, 24 September 2012.

"Erike Satie Watusies His Way Into Sound." HTMLGIANT, 06 April 2012.

"highly contrived and stylized." Open Letters Monthly, April 2012.

"Awful Interview: Joshua Ware." Vouched Books, 20 Jan 2012.

"Ph.D. Student Reflects..." Daily Nerbaskan, 08 December 2011.

"Contributor Spotlight: Joshua Ware." Hayden's Ferry Review Blog, 20 April 2009.

JOURNAL PUBLICATIONS:

"Sonnet to the Moon 06" & "Waiting Room." Forthcoming in Denver Quarterly, (2015).

"Why Swagger, Then?" & "I Will Forget the Light." alice blue review, 17 (2015).

"05.30.13" (from Green).  Fence, 30 (2015).

"Alphabet of Motherfucking Birds," "Language Pie," & "Wyoming." South Dakota Review, 51.2 (2015).

"Psychovisual Fuckface [In a succession]."  Beecher's Magazine, (2015).

"The The The Death Version." Jerk Poet, (2015).

"Radio Stars,"  Jellyfish, (2015).

"La Notte"  & ""Trees for SJL."  The Normal School, (2015).

"37th Death Version."  Similar:Peaks::, (2015).

"Apartment." Court Green, (2015).

"06.20.13, Denver, CO: 12:03PM" (from Green).  Sink, (2015).

"06.26.13" & "06.30.13" (from Green).  Tammy, 4 (2014).
"11 FEB 2014" (from "Cleveland, OH"). Everyday Genius, 2014.

"Fourth Note Poem." Forklift, OH, 28 (2014).

"Psychovisual Fuckface [This texture]" & "Psychovisual Fuckface [Platlettes]." Banango Street, 8 (2014).

"06.07.13" & "06.09.13" (from Green). Columbia Poetry Review, 27 (2014).

"A Version of Panic" & "Our Momentary Awe." Ghost Ocean, 14 (2014).

"Rough Spring Sonnets 23-26." Dreginald, 2 (2014).

"Instructions for Flowers." The Leveler (2014).

"Snowflakes et al" & "Twerking." Atlas Review, 3 (2014).

"40th Death Version" & "Wordscape 22." Stoked, 6 (2014).

"Everything Pulses So Weird" & "A Completely Regular Street." Sentence: A Journal of Prose Poetics, 10 (2014).

"We Have August & That Is All," "Applescape," & "After Tennyson's Tithonus." Dusie, 15 (2014).

"Necrolog in Eulogy Lights." The Destroyer, 3.1 (2013).

"Last Poem." Birdfeast, 8 (2013).

"Letter 1: Hurricane Sandy."  H_NGM_N, 15 (2013).

"Half of This Sentence" and "Your Sound Lives Inside Me Now." Salt Hill, 31 (2013).

"An Elegy," "Inside a Black Box," & "Prose Poem for Shelley." Cant, 4 (2013).

"Poem Beginning with a Line by Lisa Jarnot," "A Body Devours Itself," "A Completely Regular Street," & "Everything Pulses So Weird." Coconut, 16 (2013).

"Žižek Eats His Dirty Socks For Breakfast." Map Literary, 3 (2013).

"Changing the 21st Century," "I Believe in Everything," & "25th Death Version." Laurel Review, (2013).

"Kenneth Koch Is Dead." Copper Nickel, (2013).

"Out of a Dimly Remembered Whole" & "Vargtimme." The Offending Adam (2013).

"The Celestial Ennui of Apartments." The American Poetry Journal, 12 (2013).

"My Geographies (I-V)." Blue Earth Review, 10 (2013).

"Impossible Motel: 31911" & "Impossible Motel: 500." Conduit, 24 (2013).

"My Anatomies (I-V)." Forthcoming in Taiga, I (2013).

"Portrait." Ostrich Review, 2 (2013).

"The Divine Mystery of Clothes." Heavy Feather Review, 2.1 (2013).

"First Sounds of a Mechanical Contrivance," "Thought Works Off Its Mooring," & "Moth in the Typewriter." Marco Polo, (2013).

"Philadelphia Is Full Of Fractions," "Gregory Peck Is The New Salvador Dali," "Voices Of Light," & "To Think A Gat." Route 7 Review, 1 (2013).

"Weird Hurricane Territory." Phantom Limb, 6 (2013).

"I didn't make these arrangements."  TYPO, 17 (2013).

"Poppies Grow Out of My Toenails." Toad, 2.4 (2013).

"Haiku: An Epic Film." The Seattle Review, 5.2 (2012).

"Deglet Nour."  Gulf Coast, 24.3 (2012).

"I Am As Empty As America." interrupture, 5 (2012).

"Please remember you're dealing with a human form" & "Walking in the Park with You" (with Tina Brown Celona). Crazyhorse, 81 (2012).

"My Testimonies (I, IV, & V)." DIAGRAM, 12.2 (2012).

"Form-." Aesthetix, 4 (2012).

"Windows Aren't Necessarily French" & "Poetry Cliches." Jellyfish, 6 (2012).

"Dark Fantasy," "I Blacked Out About Half Way To Salt Lake City," & "The Well-Guarded Secret of Disneyland Ninjas." The Bakery, (2012).

"Think of People as Buildings." Cream City Review, 36.1 (2012).

"Impossible Motel: 12B" & "Impossible Motel: 040311." Third Coast (2012).

"and no no gold with pet, a green seen" (with Jeff Alessandrelli). Oh No, 2 (2012).

"My Cinematographies (II & V)." Sakura Review, 3 (2012).

[You stand in a desert somewhere] & [Bent over the end] from "Imaginary Portraits." The Journal, 36.2 (2012).

"Go Down, Matthew" from "Writing through Nightwood." Barn Owl Review, 5 (2012).

"an enrapt absolute, a cut-and-paste," "To Gauge Decomposition," "cities, / thought becomes," "The Semantics of Progression," & "Eris." and/or, 2 (2012).

"Hagar, X Parts." esque, 3 (2012).

"The Trees The Trees" & "This Silence is not an Idyll." ILK, 2 (2012).

"Impossible Motel: 666," "Impossible Motel: 850," "Impossible Motel: 2C," "Impossible Motel: 37," "Impossible Motel: 41AMC," & "Impossible Motel: 7." Hobart, 13 (2012).

"Impossible Motel: 1A," "Impossible Motel: 5B," & "Impossible Motel: 37A." Nano Fiction, 5.2(2012).

"Lullabye (II)," "Lullabye (III)," "Lullabye (IV)," "Lullabye (V)," & "Lullabye (VI). Antennae, 12 (2012).

[You stand lakeside], [Secluded within old growth], [In an otherwise darkened room], [Small drops of blood], & [Foregrounded against white tiles] from "Imaginary Portraits." Country Music, 3 (2011).

"La Somnabule," from "Writing through Nightwood." 751 Magazine, 5 (2011).

"transportation identity." Berkeley Poetry Review, 41 (2011).

[A warbled intonation], [Insomnia lulls you into landscapes], [A purple and crimson bruise], [Overcast sky, the angle of Flat], & [You paint a vase of roses]. diode: electropositive poetry, 5.1 (2011).

"IX" & "X" from SDVIG (with Natasha Kessler). Parcel, 2 (2011).

"Sun-Down Again," [Untitled], "Inaudible Crossing, Interstellar Voice," "[un]identifiable origin, distinctive patterns." [out of nothing], 5 (2011).

Selections from "Specimen Cuts." No Tell Motel (2011).

"VI," "VII," & "VIII" from SDVIG (with Natasha Kessler). alice blue review, 14 (2011).

"Epilogue" & re-printed graphs. Ecolinguistics, 2 (2011).

"Blushing to a Concrete City," "Thrusting into Greatness, or Greatness into You," "But, since I am a dog, beware my fangs," "Eris," & "Dying Breed." West Wind Review, 3 (2011).

"Drink Ghosts into Ghosts," "bringing you closer to what you speed from," "You Sure Have Taken A Shine To That Cowpoke," & "at any moment. / What else." Dear Navigator, 3 (2011).

"Identity a Poem." Artifice, 3 (2011).

"ISM 6-2" and "ISM 4-6." pacificREVIEW, (2011).

"Drink Ghosts into Ghosts," "Drink Ghosts into Ghosts," & "Moonrise Paints a Lady's Portrait." Hotel Amerika, 9.1 (2011).


"ISM 14-1: Economic Growth and Population," "ISM 7-5," & "ISM 14-5." specs, 3 (2010).

"Children, 1801." New Collage, 2 (2010).

"The Second Movement Meant..," "The Third Movement Meant..," "The Fourth Movement Meant..," & "The Fifth Movement Meant..." (with Trey Moody). Colorado Review, (2010).

[Introduction], "Two Temperatures," "Cooldrinagh Memories," & "Hippocratic Oath." SpringGun, 3 (2010).

"The First Movement Meant..," "The Sixth Movement Meant..," & "The Seventh Movement Meant..." (with Trey Moody). Western Humanities Review, (2010).

"Indeterminate Line." Bateau, 6 (2010).

"Molasses" & "in desire/ The panting." American Letters & Commentary, 21 (2010).

"A Kiss Less Consecrated," "Disintegration Loops V," "Inevitable Peaking of Conventional World Oil Production," & "Lullabye (I)." diode: electropositive poetry, 3.3 (2010).

"Sponge Cake & Original Impulse" & "Frequent Lapses of Control." Tusculum Review, 6 (2010).

"Camera Obscura: image out of" (with Julie Iromuanya). Spring Formal , (2010).

"The New Nature: Alternate Version" (with Crystal Gibbins). Dislocate, 6 (2010).

"This essential drifting" (with Megan Gannon and Miles Waggener) . Mayday, 2 (2010).

"The form it now maintains is only the illusion of fullness," "We Waut Fir Nibning," "Our Friends are Shadows," "Enfolded in a Knitted Wave," & "'of tune upended." PANK, 5 (2010).

"Spaceman Version," "Plainview Version," & "Render Nuthin' Version" from "Tree Lung." Quarterly West, 67 (2010).

"The New Nature" (with Crystal Gibbins). Free Verse, 17 (2010).

"Autonomy of Air" & "Yet Limned in Watercolor" (with John Chavez). The Laurel Review, 41.2 (2010).

"My Cricket Sings, My Cricket Kills" & "Yellow Band." Handsome Journal, 2 (2010).

"The Salamander Speaks." Ping Pong, 9 (2009)."XIII." Jelly Bucket, 1 (2009).

"Of an Amethyst Knee" (with Rachel May). EOAGH, 5 (2009).

"Ohio Letters." Previously published material re-printed in 5_trope, 25 (2009).

"Triptych: 3 Studies for a Self-Portrait" & "103107." Dislocate, 5 (2009).

"XXI," "XXII," "XXV," "XXVI," "XXVII," "XXVIII," XXIX," "XXX," & excerpts from "XL." Hayden's Ferry Review, 44 (2009).

"XXXI," "XXXII," "XXXIII," "XXXIV," & excerpts from "XL." Packingtown Review, 1 (2009).

"ISM 4-4" & "ISM 5-2." With + Stand, 3 (2009).

"Eulogy for Print Journalism." Lake Effect, 13 (2009).

"Tree Lungs: Pneumonia Version 2.3" & "'I cannot describe her taking leave/ From her body'" (with Megan Gannon & Miles Waggner). Phoebe, 37.2 (2009).

"2023: A Palm Frond I Shall Be" & "Our Bovine Leptons (A Digression)." Strange Machine, 2 (2009).

"Little Machines Made of America." Corduroy Mtn, 1 (2009).

"I Strangle" & "Cutaneous Swells, the Garrison Withdrew." Caketrain, 6 (2009).

"XVI" & "LVIII." Moria, 11.2 (2008).

"Aleatoric Graphical Analysis for Anthropology and Economics (A, B, and C)" & "A Diagram in which to Misappropriate Ψάπφω." Lamination Colony, (2008).

"On a Fox-throated Morning." DIAGRAM, 8.4 (2008).

[Everyday, we do not fully understand...] & [New York was a child...] from "A Language Like." New American Writing, 26 (2008).

"I-IV." horse less review, 6 (2008).

"Accompaniment: SONY MC-90, Side B (Analog Mix)." Anti-, 2 (2008).

"11 January 2007" & "08 April 2007." Bat City Review, 4 (2008).

"10 Sentences for My Variable White Netting" & "Modeling Back into Architecture." KNOCK, 9 (2008).

"Iterations of the Junco" (with Rachel May). Sleepingfish, ZZZ (2008).

"The Jebus Plug," "Procession of Iron Idols," & "Threaded Minutia with Cobweb." Word For/Word, 13 (2008).

"Ohio & the Signifier," "04 March 2007," & "07 May 2007." 580 Split, 10 (2008).

[Chaucer authors the distance...] from "A Language Like." New Orleans Review, 33.2 (2008).

“XLV.” Sonora Review, 52 (2008).

"The Lincoln, NE Machine." Front Porch, 6 (2008).

[A whimsical eye...], "By Stages to the Moon," & "Catastrophe & the First Men." Little Red Leaves, 2 (2008).

"Calendar in Couplets." Caffeine Destiny,Winter (2008).

"XLIII," "XLIV," "XLV," & "XLVI." Otoliths, 8 (2008).

"08 October 2006" & "01 February2007." My Name is Mud, Winter (2007).

"Lunar Riches," [The waterless seas...], & "Weather Forecasts." Alice Blue Review, 7 (2007).

"Abandoned Boats" & "Destiny, the." Sawbuck, 1.9 (2007).

"How the West Disintegrated into Soundlessness" & "Upon Reading Richard Rorty's On-line Curriculum Vitae." diode: electropositive poetry, 1 (2007).

"Chapter 3" from Children, 1801. Past Simple, 3 (2007).

“XXIII,” “ XXIV,” & excerpts from “XL.” Harpur Palate, 6.2 (2007).

“Infidelity and Repression in the Age of Mechanical Reproduction.” Cimarron Review, 158 (2007).

“Twice Remains into the Identical.” Mobïus: The Poetry Magazine, 20.2 (2006).